Originally released on SIRR-ECORDS, September 2021
sirr-ecords.bandcamp.com/album/the-desire-of-my-heart
Broadcasted through RADIA.FM network
radia.fm/2021/09/show-859-the-desire-of-my-heart-by-manja-ristik-radiozero/
The Desire of My Heart is a collection of intimate interventions extracted from my daily life and observations of my immediate environment from the perspective of transcendental attuning. On the trace of early 20th century esoteric practices of automatic painting and writing, I build a meta-narrative in three stages, using field recordings, sonification and improvisation on amplified objects, exploring and manipulating basic frequencies from electrical fields.
Instruments used –
thick jar with the ice cubes
broken radio receiver inside the thick jar with the ice cubes
home fan
radio receiver tuning to an FM scale (excerpts from HRT3 programme about WWII)
wheelchair wheel salvaged from shallow waters in the Adriatic played with wooden sea debris, an electrical coffee mixer, a soft xylophone stick, and a pine cone
radio receiver placed on the wheelchair wheel
cardboard tube rubbed against a window
refrigerator
kitchen sink
stones rubbed with the soft xylophone stick
baby megaphone toy
field recordings –
Poreč marina, ventilation behind the restaurant in the park (June 2021)
hydrophone and field recorder buried in the stranded sediments of a dry Posidonia Oceanica algae, Dobra voda bay, Silba Island (July 2021)
St. Marco’s Cathedral church bells, Korčula town (December 2020)
instrumental excerpt from the Depression for the Bass Clarinet graphic score, interpretation Vasa Vučković (April 2018)
released September 17, 2021
All sounds gathered, played, and edited by Manja Ristić
Mastering La Plant Studio Mixing and Mastering Belgrade
laplantstudio.com
August 2021
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"Ristić does both short sketches and extended soundscapes well, and though this 27-minute piece feels quite episodic and is even contextualized as a “meta-narrative in three stages” by the artist herself, it mostly belongs to the latter category in terms of its presence and pacing. It begins with a distinctive sound that should be familiar to anyone who’s checked out any of her past work: the close, tactile effervescence of hydrophone recordings, the tools “buried in the stranded sediments of a dry Posidonia Oceanica algae” on Silba Island to capture the elusive textures. The aquatic void often hinted toward by these minuscule cross-sections is supported sonically by the unbroken hum of a restaurant ventilation system, building tension with subtle twinges of darkness until it’s broken by what I would wager is the wheel Ristić “salvaged from shallow waters in the Adriatic” and interacted with using “wooden sea debris, electrical coffee mixer, soft xylophone stick, and a pine cone” (the extreme care and detail she puts into performances or observations that end up only occupying a few minutes of the final product is part of what makes her work so rewarding to listen to)."
Jack Davidson for Noise Not Music
read full review >>>
noisenotmusic.com/2021/09/22/review-manja-ristic-the-desire-of-my-heart-sirr-ecords-sep-17/